摘 要
珐琅工艺作为我国传统的工艺技法，在其发展过程中，珐琅工艺的表现技法和文化底蕴一直在发展和变化。关于珐琅工艺历史、工艺及其发展的科学研究并不充足，导致关于珐琅工艺的清晰概念更是难以确定，珐琅工艺饰品逐渐被人们所淡忘。所以，将珐琅工艺 “时尚化”,让它成为当代社会的新生事物并被当今的年轻群体所接受，已经成为顺应时代发展的课题。
由于当代人们的价值观和审美观的转变，珐琅工艺饰品也不得不跟随时代的潮流而变换。本文结合现有珐琅工艺知识理论，分析在当代社会发展中的可行性与局限性，为珐琅工艺在技法传承、设计创新等方面提供尽可能多的方向与观点；同时，通过对珐琅工艺品市场饱和度的分析，以及不同消费群体对珐琅工艺品的心理需求程度分析，归纳总结珐琅工艺的现状和消费群体的内心想法，让珐琅工艺的时尚设计有一定的规律可循。提出珐琅工艺在继承其传统技艺的同时更要进行“时尚”设计的畅想，通过对珐琅工艺的学习与实践，研究“时尚”在珐琅工艺设计中应当如何把握。同时，总结出在人们的精神追求不断提高下，珐琅工艺应当如何“时尚”,以及“时尚”融入珐琅工艺设计的意义。
通过将自己的毕业设计作品进行整合分析，总结出将珐琅工艺进行时尚设计研究的同时，也要注重珐琅工艺背后的文化底蕴和传统背景，要把传统文化的涵义牢记，最后把“时尚”融入珐琅工艺的文化中，才能创造出更大的珐琅工艺价值。
关键词： 珐琅， 饰品， 时尚， 设计
Abstract
Enamel craft is a traditional technique in our country. In the process of its development, theexpressive techniques and cultural deposits of the enamel craft have kept developing andchanging. The scientific research about enamel craft history, craft and its development is notenough, making the clear concept about the enamel craft more difficult to determine, and enamelcraft ornaments therefore are gradually being forgotten by people. As a result, to make theenamel craft ornaments going stylish and accepted by today's younger generation as the newthing in contemporary society is a task that meets the needs of social development.
Due to the change of modern people's values and aesthetic view, the enamel ornaments haveto change with the trend of the times. In this paper, the author analyzes the feasibility andlimitations in the development of contemporary society to provide enamel as many directionsand views as possible in terms of technique heritage, design innovation. At the same time,through the analysis of the market saturation of enamel as well as the psychological needs degreeof different consumer groups toward the enamel, the author summarizes the present situation ofthe enamel and inner thoughts of consumer groups, making the enamel fashion design havecertain rules to follow. In addition, the author puts forward the idea that enamel are supposed tohave fashionable design while its traditional craftsmanship is inherited. Through the study andpractice of the enamel, the author discusses how the fashion element should be integrated intothe enamel fashion design. At the same time, the author sums up how to make enamel goingstylish and what it means to integrate the fashion element into the enamel craft ornament designwith people's spiritual pursuit continually increasing.
Through the integration analysis of the author's graduation work, the author sums up how tomake the design of enamel stylish, attention must be paid to the cultural deposits and traditionalbackground behind the enamel craft. In order to create greater value in enamel craft, we shouldbear the connotation of traditional culture in mind and then integrate the “fashion” into theculture of the enamel craft.
Key words:Enamel;Decoration;Fashion; Design
目 录
摘要
Abstract
第1章 绪论
1.1 研究背景及意义
1.2 国内、外研究现状
第 2 章 珐琅工艺饰品的需求分析与发展趋势
2.1 消费者对珐琅工艺饰品的需求分析
2.2 珐琅工艺饰品市场的发展趋势
第 3 章 珐琅工艺的时尚设计体现
3.1“时尚”的定义
3.2 时尚艺术与珐琅工艺的关系与意义
3.3 珐琅工艺时尚设计的成果与不足
第 4 章 打造珐琅工艺的时尚设计之路
4.1 珐琅工艺时尚设计的创新方法
4.2 珐琅工艺设计的传承与创新
第 5 章 结论
参考文献
致谢
