摘 要
数字技术是借助一定的设备将各种图、文、声、像等信号转化为数字处理系统能识别的二进制数字后进行运算、加工、存储、传送、传播、还原的技术。它在流行音乐生产中的应用，主要表现在音乐创作生产、音乐唱奏生产、音乐传播生产、音乐伺服生产等几个构成部分中。首先，在作曲家的创作生产中，通过数字技术的使用可以实现“即见即所得”的实践化作曲模式，这使得千百年以来形成的音乐创作传统被逐渐消解，音乐创作的方式得到根本性的改变。其次，数字技术在流行音乐唱奏生产中的应用主要体现在声音传达系统的数字化和演奏乐器的数字化两方面，并影响着流行歌手/乐手的唱奏行为。再次，音乐传播的数字化正在改变传统的音乐传播与音乐消费的方式与模式，传统的实体销售模式现在正被网络下载的方式所取代，音乐的传播可以随时随地不受任何时间空间的限制。
最后，数字技术在流行音乐伺服生产中的应用，更多的是作为一种辅助性工具来优化伺服生产。
数字技术对于流行音乐生产效率的影响可以通过数字/模拟技术、数字技术发展的不同阶段对流行音乐生产影响的对比来揭示。
比较模数时代流行音乐的生产效率时，可以通过生产系统的局部比较来类推。
从数字录音对于生产效率的影响不难看出，数字条件下的音乐生产具有更高的效率：在信号记录模式上，数字录音采用数字编码的形式进行信号的存储，这比模拟录音下的磁化信号、光学信号有效率得多；在声音信号的存取速度上，数字录音的存取速度大大优于模拟录音设备，这在节约单位生产时间的同时，也提高了制作生产的效率；在声音信号的编辑处理上，数字录音后的结果是将声音信号转换成数据，各种后期的编辑处理自然就是一大堆数据的运算，这种精确性、细微性、快捷性的操作，使得数字条件下的录音制作具有更高的生产效率。
比较硬件条件下与插件环境下音乐制作的生产效率，孰优孰劣也是显而易见的：从生产的流程来看，非线性的插件音源可以大大节约单位生产时间；从生产成本来看，插件化的音乐创制系统价格远远低于硬件设备，降低了生产成本，插件式设备在生产中的可复制性同样大大降低了生产成本；从参数编辑以及设备更新方面来看，插件设备的易控性与拓展性使其具有良好的发展空间，可以跟上变化的生产力的发展，从而有利于插件设备的重复利用，大大节约资源。
移动互联技术的发展，以及平板、智能手机这些硬件终端的出现和成熟，使数字虚拟的音乐生产进入微制作的新阶段。微制作对于流行音乐生产效率的影响表现在：微制作只需通过对便携性的平板电脑等计算机工具的操作就能实现，使音乐生产成本进一步降低；微制作促进了音乐生产者的非专业化，能够节约人力资源；微制作促进了音乐生产机制的非公司化，这不仅提高了生产效率而且降低了人力成本。
数字技术的介入，既改变了传统音乐制作的模式，也影响到了制作后的效果，这种影响是正面的，它能够提供更高的清晰度、更好的操控性、更悦耳的听感。
从波表音源到合成器插件、从采样器到物理建模合成器，越来越先进的音色制造技术在获得较小体积的同时又能极大地提高制作效果。不同的媒体编码技术影响着流行音乐生产的最终效果，体积小、效果好是数字化音乐产品的终极追求，而编码技术的发展也正是基于此。
数字技术在流行音乐的各个生产环节全面介入后，对音乐的生产、传播、消费所产生的负面影响也接踵而至，这些负面影响有时候是毁灭性的。首先，盗版的泛滥严重破坏了流行音乐生产的生态环境。其次，低质量的音乐产品混淆着大众对于流行音乐听赏的审美趣味。再次，音乐生产中自身的造假同样扰乱了正常的生产秩序。
数字技术对于流行音乐生产影响的这种矛盾关系始终存在着，而数字技术施加的正面影响仍然占据着主导地位，当然，我们要努力消除数字技术所产生的负面影响，以促进流行音乐生产更加健康、良性的运转。这就需要做到：规范流行音乐生产、提高音乐产品质量；打击盗版、提高流行音乐生产的效益；规范网络版权、破解流行音乐生产廉价化；合理利用数字技术，促流行音乐生产良性运转。
关键词：数字技术；流行音乐；音乐生产
ABSTRACT
Digital technology is a technology that uses some equipments to transfer pictures,words, sounds and images into binary numbers which can be identified by digitalprocessing system and then be operated, processed, transferred, spread and restored. Itis used in the production of pop music in many aspects, such as musical creationproduction, singing and playing production, music spread production and musicalservice production. First of all, digital technology realizes the practical mode ofmusical composition, that is, “as you write, you can hear”, which makes thetraditional way of composition disappear. Thus the mode of musical creation iscompletely changed. Second, digital technology is mainly used in the digitalization ofthe system of the musical transformation and the digitalization of musical instrumentsduring the process of singing and playing production, which has a great influence onthe singing of singers and playing of executants. Third, the digitalization of musicspread is changing the way and mode of traditional music spread and musicconsumption. The traditional sales model is being taken place by the way ofdownloading music on the web. The spread of music can be done at any time inanywhere and jump out of the limit of time and space. Finally, digital technology ismainly an assisting instrument to optimize service production.
The influence of digital technology on the efficiency of pop music production canbe shown by comparing the influence of digital technology, simulation technique anddifferent kinds of digital technology on pop music production.
The comparison of the productive effect of pop music production in the time ofmodulization can be realized by comparing some aspects of the production. Judgingfrom the influence of the digital recording on productivity, we can see that themusical production is much more efficient under the digital condition; On the mode ofinformation recording, digital recording that stores signals by numerical coding isgreatly more efficient than the traditional recording by storing magnetic signals andoptical signals; on the access speed of sound signals, the access speed of digitalrecording is much more faster than the traditional recording equipments, which savesthe production time and enhances the productivity; on the editing of sound signals,editing work is an operation on the large amount of data as the digital recordingtransfers the sound signals into data, which is more precise, subtle and faster, and hashigher productivity.
Comparing the productivity of the music production under the hardwarecondition with that using plug-in system, we can easily see which one is moreefficient. From the process of production, we can see the non-linear sound source,plug-in sound source, can greatly save the unit time of production; from theproduction costs, we can see the price of the plug-in music production equipments ismuch lower than the hardware equipments. The plug-in music production equipmentscan not only enhance the productivity of music production, but lower the productivecosts. What's more, the replicability of the plug-in equipments can also lower theproductive costs greatly; from the parameter's editing and the equipments' updating,we can see the easily controllability and expanded function of the plug-in equipmentsprovides good development prospects, which can catch up with the development ofthe productive force and save resources.
The development of the mobile Internet technology, as well as the appearance andthe maturity of the terminal unit, such as tablets and smart phones, leads the digitalmusic production to the new stage of micro-production. The influence ofmicro-production on the productivity of the pop music production lies in thefollowing aspects: micro-production can be done by using computers, such as portabletablets, which lower the music production costs; micro-production accelerates thenon-specialization of music producers, which can save human resources;micro-production accelerates the unincorporation of the music production mechanism,which enhances productivity and lower human costs.
The intervention of the digital technology changes the mode of traditional musicmaking and also has influence on its effect. The influence is positive, as the digitaltechnology can provide clearer, more easily controlled, more euphonious sound effect.
The increasing advanced timbre making technology evolved from wavetable soundsource to synthesizer plug-in, from sampling instrument to physical modelingsynthesizer, can improve the quality of the sound making with smaller equipments.
Different media coding technology influences the effect of the pop music production.
The ultimate pursuit of the digital music product is small in size and euphonious insound effect, on which the development of coding technology is based.
When digital technology is applied in every step of pop music production, itsnegative impacts on the production, spread and consumption of music comesuccessively. Some of them are even destructive. First, the wide spread of the piratedcopy of music severely destroys the natural environment of the pop music production.
Next, the music of inferior quality confuses the esthetic opinion of the public. Then,the forgery activity in music production disturbs production order.
The contradict effects of digital technology on pop music production always exist.
Even though,the positive effects still have the leading position. Without doubt, wehave to get rid of its negative effect to make music production healthier and proceedin good direction. Thus, the following needs to be done: standardize the musicproduction to improve the quality of the music products; crack down pirated activitiesto standardize the copyright on the web and stop the tendency of the low price of themusic products; use the digital technology properly to maintain the good operation ofmusic production.
Key Words:Digital technology; pop music; music production
目 录
摘要
ABSTRACT
第一章 引言
1.1 研究的意义
1.2 研究的现状及其分析
第二章 数字技术及其在流行音乐生产中的应用
2.1 数字技术的概念及其发展
2.2 数字技术在流行音乐创作生产中的应用
2.3 数字技术在流行音乐唱奏生产中的应用
2.4 数字技术在流行音乐传播生产中的应用
2.5 数字技术在流行音乐伺服生产中的应用
第三章 数字技术与流行音乐生产效率的关系研究
3.1 模数时代流行音乐生产效率的对比研究
3.2 数字时代插件技术对流行音乐生产效率的影响
3.3 数字时代微制作对流行音乐生产效率的影响
第四章 数字技术与流行音乐生产效果的关系研究
4.1 数字录音技术对流行音乐生产效果的影响
4.2 音色合成技术对流行音乐生产效果的影响
4.3 媒体编码压缩技术对流行音乐生产效果的影响
第五章 数字技术负面影响流行音乐生产的应对策略研究
5.1 数字技术对流行音乐生产的负面影响分析
5.2 数字技术负面影响流行音乐生产的应对策略
结语
参考文献
致谢
