摘 要
龚自珍作为古代最后和近代最初的文学家、思想家，其成就是多方面的，除致力于诗文创作外，还从事哲学、历史、地理、文字、音韵、儒学和佛学等方面的研究。该文仅着重于对其诗文中文艺批评思想进行一些研究。试从龚自珍诗文中体现出的文艺批评观点入手，立足于龚自珍的诗歌、散文、词文本，从文艺批评的思维方式对龚自珍不同题材的作品（诗文方面）、文学批评标准理论阐释、龚自珍文艺批评观的独特性及其影响与现实意义等方面论及，试从诗文入手，为更加全面细致的解读龚自珍文艺批评观找到一把钥匙。
本论文共分为五部分。首先是绪论，在该部分，基本概括地指出本论文创作的目的和意义，阐述了目前学术界对龚自珍进行研究的状况，在此基础上对其诗文文艺批评作进一步研究的必要性和持续性。
第一章阐述龚自珍文艺批评观在其诗文中的体现及其特殊性。主要分析在诗歌、散文、词这三种不同体裁下龚自珍文艺批评观的描述，从这三种体裁中找出能够体现龚自珍诗文文艺批评观的作品进行论述。同时，通过分析龚自珍这一理论思想散见于诗文中而未形成专着的原因及与同时期的作家的文艺批评观进行横向比较，更好地说明龚自珍的诗文批评观的特殊性。
第二章对龚自珍诗文文艺批评观的理论思想进行解读分析。龚自珍一生创作颇丰，体现于诗文中的文艺批评观点也较为驳杂，但并不影响对其文艺批评观的系统性解读，从诗文文本和作家创作以及他批评观中的核心内涵三方面出发分析龚自珍文艺批评观的诉求。
第三章探讨龚自珍诗文批评标准与他的文艺论的关系。龚自珍的诗文批评标准深受其文艺观的影响，所进行的创作无一不是在文艺思想指导之下完成的。所以，龚自珍的文艺论是引领他进行诗文创作的标杆，反过来他的文艺批评理论又践行着他的文艺观念。两者间互相影响，共同建构了龚自珍短暂一生的文学之路。
第四章综述龚自珍文艺批评观的影响与意义。龚自珍很早就驰名文坛，他的文艺批评观对近代文坛产生了不小的影响，具体表现为对近代诗文创作及理论形成产生的影响。虽然龚自珍距今年代已久远，但是其诗文批评观仍对当今社会具有很大的现实意义，对批判当今社会下的扭曲异化现象具有明显的战斗性意义。
关键词： 龚自珍 张维屏 魏源 桐城派
ABSTRACT
Gong Zizhen as the ancient and modern initially last writer, thinker, hisachievements in many aspects, in addition to devoted to poetry creation, is also engagedin the study of philosophy, history, geography, language, phonological, Confucianism andBuddhism etc This article only focuses on some of the poems in the literary and artcriticism. The author tries to reveal in the poems of Gong Zizhen's literary criticism view,based on Gong Zizhen's poetry, prose, writing the words of Gong Zizhen, works ofdifferent themes from the literature criticism thinking style （Poetry）， standard of literarycriticism theory, unique view and its influence and practical significance of GongZizheng's literary criticism and theory from the view of poetry, start, find out the key to amore comprehensive and detailed interpretation of Gong Zizhen's literary criticism.
This paper is divided into five parts. The first part is introduction, in this part,pointed out the purpose and significance of the thesis briefly expounds the basic, thecurrent academic research on the status of Gong Zizhen, based on the criticism ofnecessity and continuity of further study for its prose literature.
The first chapter of Gong Zizhen literary and art criticism embodied in his poemsand its particularity. The main analysis in poetry and prose, the words of the threedifferent types of Gong Zizhen literary criticism concept description, from the three kindsof genre find can reflect the poems of Gong Zizhen literary and art criticism works werediscussed. At the same time, through the analysis of this theory of Gong Zizhen'sthoughts in verse without the formation of monographs reasons and with the same periodof the writer's literary and art criticism of comparison, a better explanation of GongZizhen's poetry criticism special view.
The second chapter of Gong Zizhen's literary criticism thought was analyzed. GongZizhen prolific, embodied in the poetry in the literary criticism is also more complex, butdoes not affect the criticism system of interpretation of the literature, from theperspective of text and the creation of poetry and his criticism of the core connotation inthree aspects of Gong Zizhen's Literary Criticism View request.
The third chapter discusses the relationship between the standard and the concept ofGong Zizhen's literary criticism. Deeply influenced by the literary viewpoint standards ofGong Zizhen's literary criticism, in terms of its own work, although no literary viewpointspecial legislation, but the writing is not under the guidance of the. So, Gong Zizhen'sliterary theory is leading his poems creation of benchmarking, in turn, his literarycriticism theory and practice of the concept of his. Both the mutual influence, mutualconstruction of the short life of Gong Zizhen's road of literature.
View the influence and significance of the fourth chapter of Gong Zizhen's literarycriticism. Gong Zizhen is already well-known literary world, he had no small impact onmodern literature, specific performance for the formation of the influence on modernpoetry creation and theory. Although Gong Zizhen was the age long ago, but his poetrycriticism view still has great practical significance in today's society, as a critique of thedistorted phenomenon in today's society has obvious significance of battle.
Key Words:Gong Zizhen Zhang Weiping Wei Yuan Tongcheng school
目 录
摘要
ABSTRACT
绪论
0.1 选题的目的与意义
0.2 国内外研究现状分析
0.3 研究方法及创新之处
1 龚自珍文艺批评观的诗文表征及独特性
1.1 不同体裁下龚自珍文艺批评观的描述
1.1.1 诗歌
1.1.2 散文
1.1.3 词
1.2 龚自珍诗文文艺批评观的独特性
1.2.1 龚自珍文艺批评观散见于诗文中的原因
1.2.2 同时期作家文艺批评观比较
2 龚自珍文艺批评观的理论建构
2.1 诗文本体论
2.1.1 完
2.1.2 “善入”“善出”
2.2 诗文创作论
2.2.1 童心论
2.2.2 贵真
2.3 文艺批评观的核心内涵
2.3.1 “感慨”
2.3.2 尊情
3 龚自珍的诗文批评标准与龚自珍的文艺论
3.1 龚自珍的诗文批评标准与龚自珍的语言论
3.2 龚自珍的诗文批评标准与龚自珍的文用论
3.3 龚自珍的诗文批评标准与龚自珍的因革论
4 龚自珍诗文文艺批评观的影响与意义
4.1 龚自珍文艺批评观对近代诗文的影响
4.2 龚自珍文艺批评观的现实意义
结束语
参考文献
致谢
