摘 要
黄渤，时下中国最着名的男演员之一，曾多次获得不同奖项的最佳男演员奖。是一名出生于甘肃省的山东青岛人。毕业于北京电影学院表演系配音专业。黄渤早年有过各种工作经历：驻唱歌手、舞蹈教练、影视配音演员等等。2006 年，因主演电影《疯狂的石头》而一举成名。更是在 2009 年，他凭借在影片《斗牛》中饰演牛二的出色演出夺得第 46 届台湾电影金马奖最佳男主角奖。在 2012 年，凭借着超 13 亿票房的《人在囧途之泰囧》也让黄渤足足又火了一把，也奠定了黄渤在影视界的草根英雄形象。
在黄渤拍摄的所有电影中，对中国电影市场的发展具有重要的推进作用，笔者旨在通过黄渤在荧幕角色塑造中的实例来分析其饰演的人物创作肢体语言的方法和技巧，研究黄渤在电影中对演员表演的整体风格的把握，学习他对如今中国电影市场的独特理解，以及他对中国电影作品创作道路的追求。肢体语言的载体就是我们的身体，表演者是通过组织肢体语言进行形体变化来创作人物的。在荧幕和舞台上演员的表演创作离不开肢体语言，都是通过肢体语言来发挥的，来向其他演员传递信息，因此表演艺术中肢体语言的运用是起到了至关重要的作用。学会创造和组织合理的肢体语言是每一个影视演员需要学习的必修课程内容。因此，在影视表演中肢体语言的重要性是不言而喻的。传情达意离不开肢体语言。学习肢体语言，了解肢体语言，掌握肢体语言，使肢体语言真正为我们所用，是每个影视演员都该为之而努力的。这些研究对演员在荧幕前的角色创作具有一定的指导意义。
黄渤作为一名个性化鲜明的演员，具有非常明显的特点，在如今的中国电影行情下，他的作品票房几乎都能够垄断各大影城的前三名，对于黄渤这个外表朴实专业技能卓越的青年演员来讲，很多渤乐们总结出了他的六个十分鲜明的特点，能够充分体现出黄渤作为一名演员的独特魅力。“敬业、聪明、细致、巧妙、狂、少语言多行动”.黄渤作为个性化鲜明的演员，塑造了很多非常优秀的性格特色突出的荧幕角色，这些角色为何在荧幕上具有经久不息的生命力？为何会被大家津津乐道？黄渤是通过何种方法让角色充满感染力的？笔者试图通过黄渤在电影表演中的具体实例来进行分析。
演员在塑造角色的时候，外部肢体形态表现是一个非常重要的组成部分。黄渤在他塑造的角色中外部形态表现上也有他独特的理解和诠释。在早期的好莱坞电影中，几乎每一个角色都有一个典型动作来进行修饰，或叼根烟或叼根牙签或者用手压低牛仔帽帽檐挡住双眼，但是黄渤认为真正找到角色内心就要从演员的内心中去深层次的展现人物。而不是单纯的将这一种行为动作无理由的表现出来，要让这个动作更加符合剧情发展和人物性格。
车尔尼雪夫斯基曾经说过：“我们在人的身上发现美的，就是把愉快的、丰富的、充沛的生活表现出来的一切”.然而“表现”又是通过语言以及肢体语言所传情达意的，因此，笔者通过本文中对肢体语言的基本定义、肢体语言产生的原因出发，通过黄渤的具体事例展开研究，分析肢体语言对于影视表演中人物创作及情感传递等所起到的作用，并分别阐释了相关的理论，对表演的学习和了解黄渤具有一定的指导性。进一步揭示肢体语言的重要意义。
关键词：黄渤，影视表演，肢体语言，个性化，技巧方法
ABSTRACT
Huang Bo, at present one of the most famous Chinese actor has won manydifferent awards for best actor is a was born in 1974 in Gansu province ShandongQingdao, graduated from the Acting Department of the Beijing Film Academy dubbingprofessional. Huang Bo's early years there have been various work experience, such as:
singers, dance instructor, film dubbing and so on. In 2006, because of the involvementof star in the film “Crazy Stone” and spring into fame. More real in 2009, with HuangBo in the film “bull” as cattle excellent performance won the forty-sixth session of thetwo Taiwan Golden Horse Award for best actor award. In 2012, with over 800000000 atthe box office “people again embarrassed way Tai embarrassed” also let Huang Boenough and a fire also laid a Huang Bo in the movie industry, folk hero.
Captured in Huang Bo's film, has very important role in promoting development ofChina film, the author aims at methods and techniques through examples in the screenrole in the shaping of Huang Bo to analyze its characters creation in body language, thestudy of Huang Bo in the film director of actors performing the overall style of themaster, learn from him for now Chinese film market unique understanding and pursuitof his on the road movie works creation for Chinese film market of the entertainmentand artistic value and the. Body language is the carrier of our body, the performer is tocreate through the organization of body language to carry on physique change. Beforethe screen and stage actor performing the creation cannot do without body language, isto play through body language in the show, to transmit the information to the otheractors, so the performance of the art is the use of body language plays a very importantrole, learn to create and organize reasonable body language is a compulsory curriculumcontent of each actors need to learn. So in the television show the importance of bodylanguage is self-evident. Emotions cannot do without learning body language, bodylanguage, understanding body language, master the body language, body language isreally for us, every film and television actor should work for. Some of this research hascertain guiding significance for the actors in the screen before the character creation andmovie works creation.
Because Huang Bo as a personalized features actor, has obvious characteristics, intoday's Chinese film market, his works at the box office is almost monopolized themajor studios before three, plus Huang Bo this looks simple and excellent professionalskills of young actors, Huang Bo on many Bo Le who summed up his six very distinctcharacteristics, can fully reflect the Huang Bo as a loved by all actors of the uniquecharm. “Dedicated, smart, careful, clever, crazy, less language action”. Huang Bo as adistinct actor also created many excellent personality features prominent character onscreen, why these roles have prolonged vitality on the screen? Why is everyone indulgein elaborating on? Huang Bo is by what method lets the role is full of appeal? Theauthor tries to analyze the role of successful way screen by Huang Bo in the film in theperformance of specific examples.
When creating a character actor in shaping the role of external limb morphology,performance is a very important part of. Huang Bo has his unique understanding andinterpretation in his character when the external morphology of performance. In theearly days of the Hollywood movie, almost every character has a typical action tomodify, or a cigarette or take the toothpick or hand down cowboy hat brim to block theeyes, but he thought to find the real role of heart to put the typical action to remove,show figures from the actor flesh to deep. Rather than simply will this kind of action isno reason expression comes out, to make the action more in line with the plotdevelopment and character.
Chernyshev J Ki once said: “we found in the human body is beauty, is to the happy,rich, full life performance out of all.” However, “performance” is through language andbody language of emotions, therefore, this essay through this paper reasons the basicdefinition of body language, body language, through specific examples of Huang Bo'sresearch, analysis of body language for the character television show created and role ofemotion transfer which play, and the related theory to explain separately, to show thelearning and understanding of Huang Bo has certain guidance. An importantsignificance to further reveal the body language
Key words: Huang Bo, Film and Television shows, Body Language, Personalized,Skill method
目 录
中文摘要
英文摘要
1 绪 论
1.1 论文的写作背景
1.2 黄渤简介
1.3 国内外研究现状
1.3.1 国外研究现状
1.3.2 国内研究现状
1.4 论文的研究价值及其意义
2 肢体语言运用的基础理论
2.1 肢体语言基本定义
2.2 肢体语言在影视表演中的作用
2.2.1 肢体语言在影视表演中的表现力
2.2.2 肢体语言在影视表演中的动与静
2.3 肢体语言的特征
2.3.1 电影中肢体语言的独特魅力
2.3.2 影视剧中肢体语言的分析
2.4 肢体语言表演与表演的关系
2.4.1 影视剧中肢体语言的表现
2.4.2 戏剧舞台中肢体语言的表现
3 以黄渤为例，肢体语言在角色塑造实践中的具体呈现
3.1 演员运用肢体语言来展现人物内心和性格
3.1.1 《厨子戏子痞子》故事概述
3.1.2 黄渤在厨子戏子痞子中的肢体描述
3.2 演员表演中的自我控制和自我约束
3.2.1 《杀生》内容概述
3.2.2 黄渤在电影中的“疯狂”形态
3.3 通过自身经历来体会肢体语言的不可缺失性
3.3.1 《民兵葛二蛋》故事梗概
3.3.2 《锋刃》内容简介
3.4 电视剧中黄渤肢体语言的运营效果
4 通过自身经历来体会肢体语言的不可缺失性
5 当前中国表演弱化肢体语言问题
6 结论和展望
致 谢
参考文献
