摘 要：“艺术”与“美”是西方美学史上两个重要概念，从古希腊时期开始，“艺术”与“美”的关系一直在不断的发展变化着，这两个概念关系的变化，是美学与艺术学科不断发展变化的结果。因而，对“艺术”与“美”二者关系理论进行研究，也是对美学与艺术学科内涵与外延研究的需要。
“艺术”与“美”在西方文论中出现的较早，西方与中国很多美学家、哲学家都对这两个概念进行过深入研究。从现有的研究成果来看大致可以分为几类：一些学者都倾向于从某一美学家的角度来对二者进行分析，如从柏拉图、黑格尔、康德等美学家的角度来对“艺术”与“美”进行研究；有一些学者对“艺术”与“美”二者的关系进行了研究，这类研究大多着重分析二十世纪之前这段历史时期，对于二十世纪之后二者关系的新局势分析少之又少；还有一些学者在对“艺术”与“美”关系进行分析时，很少用实例对其理论进行佐证，因此在论述二者关系时经常会看到“决别”、“对立”等字眼。
本文将针对现有的研究成果，对以往研究中存在的不足进行补充，着重分析二十世纪之后的“艺术”与“美”二者的关系理论，特别是将“艺术”与“美”概念、内涵与外延呈现的多元化趋势详细论述，即从古希腊时期一直到二十世纪后半期，以此使二者的理论关系变迁形成一个完整的体系。此外，本文在对“艺术”与“美”关系理论的分析中，将二者关系转变的原因当作重点进行描述，以往的学术论文中很少有学者对二者关系转变原因进行详细分析，这是“艺术”与“美”关系理论分析不可缺少的一部分，本文将对这一空白进行填充，以此达到完善“艺术”与“美”关系理论分析的目的。
关键词：艺术；美；关系；变迁
Abstract
“Art” and “beauty” are two important concepts in the history of western aesthetics, start from the timeof ancient Greece, “art” and “beauty” of the two has been in constant development and change, change thetwo conceptual relations, is the result of aesthetics and art, the development and change ofthe. Therefore, the study of “art” and “beauty” of the relationship between the two theories, butalso need to research and extension of the connotation of the discipline of aesthetics and art.
“Art” and “beauty” in Western Literary Theory in the West and Chinese appeared, manyestheticians, philosophers of the two concepts are discussed.From the existing research results can bedivided into several categories: some scholars tend to two subjects were analyzed from a perspectiveof aesthetics, such as Platon, Hagel, Kant and others from the perspective of aesthetics, “art” and“beauty” is studied; some scholars on the relationship between “art” and “beauty” of the two arestudied, the research mostly focuses on the analysis of the period before twentieth Century, in twentiethCentury after the new situation of the relationship between the two analysis of less and less; and somescholar sin the analysis of the“art”and“beauty”,a few of theoretical evidence for example therefore, in thediscussion of the relationship between the two often see “farewell”, “opposition” and other words.Thefollowing, this paper will focus on the existing research results, to complement the shortcomings ofprevious studies, focuses on the analysis of the relationship between the theory of twentieth Century afterthe “art” and “beauty” of the two, especially the “art” and “beauty” and the concept of connotation anddenotation, showing the trend of diversification in detail, from ancient Greece until the second half oftwentieth Century, in order to make the theory of the relationship between the changes of the two formed acomplete system. In addition, based on the analysis of “art” and “beauty” theory, the relationship betweenthe two factors will change as the key to describe, there are few academic papers in the past scholarsconducted a detailed analysis of the change of the relationship between the two, which is a part of “art” and“beauty” theory analysis is indispensable this paper will be filled, for this gap,in order to improvethe “purpose of art” and “the analysis of beauty” theory.
Keywords: Art ; Beauty; Relationship; Change;
目 录
绪 论
一、“艺术”与“美”的分离
（一）古希腊时期的“艺术”概念
（二）古希腊时期的“美”的概念
（三）柏拉图对“美”与“艺术”关系的探究
（四）亚里士多德对“艺术”与“美”关系的研究
二、“艺术”与“美”的逐渐融合
（一）普罗提诺：“艺术”与“美”的首次靠近
（二）中世纪：“艺术”与“美”的进一步靠近
（三）文艺复兴：融合过程中的“艺术”与“美”
（四）巴托：“艺术”与“美”关系的重大突破
（五）德国古典主义：“艺术”与“美”的融合
（六）唯美主义：艺术就是美
三、“艺术”与“美”的再次分离
（一）19 世纪下半期：“艺术”与“美”初现分离
（二）20 世纪：“艺术”与“美”彻底分离
（三）分离之后：“艺术”与“美”的开放趋势
总 结
参考文献
后 记
