本篇论文目录导航：
【题目】扬琴四大流派乐曲风格对比研究
【绪论 第一章】中国扬琴的起源与发展
【第二章】中国扬琴四大流派的形成与发展
【第三章】中国扬琴四大流派的技巧比较
【4.1 4.2】传统扬琴四大流派的代表人物与代表作品
【4.3】曲式结构的比较和乐曲解析
【第五章】在探索中前进的现代中国扬琴
【结语/参考文献】中国扬琴四大流派的精髓传承研究结语与参考文献
中 文 摘 要
扬琴是一种兼具世界性和民族性的击弦乐器，在传入我国近 400年的历史中，经前辈艺人的不断改革和创新，已发展成为具有我国民族风格特点，其演奏风格与技法独树一帜，在世界扬琴体系中自成一派。并广泛用于伴奏、合奏、独奏、重奏和民族管弦乐队之中。
扬琴传入中国之时最初出现在广州地区，因声音纯净优美、悦耳动听很快流行于全国。在发展过程中受文化背景、地域因素、地方乐种的影响，形成了各具特色、风格各异的不同流派，各个流派与地方乐种不断融合发展衍化出各自独特的技巧。其发展最大、影响最广的有广东音乐扬琴流派、江南丝竹扬琴流派、四川扬琴流派和东北扬琴流派。这四大传统扬琴流派音乐风格各不相同，如华丽、明快的广东音乐扬琴，细腻、清新优雅的江南丝竹扬琴，豪放、热烈奔放的四川扬琴，粗犷婉转、刚柔并济的东北扬琴。
本文对中国扬琴四大流派的形成、发展、技巧、乐曲结构、风格特点及代表任务和曲目等方面进行了深入探讨，对中国扬琴传统的理论成果进行了客观的分析，全面的将中国扬琴四大流派的精髓推陈出新、发扬光大，结合当今音乐思潮更好的融入扬琴的演奏之中，使其世界性与民族性得到更好的传承。本篇论文分为五个章节：开始是绪论，主要介绍了选题依据和实际意义、研究的现状和创新之处、研究目的和研究方法。第一章主要介绍了世界扬琴三大体系以及中国扬琴的起源与发展。第二章主要介绍了扬琴四大流派的形成背景与发展，对各个流派的形成背景与发展作了详细的阐述。第三章主要介绍了四大流派的特色技巧，对四大流派的共性技巧、特有技巧和现代扬琴技巧的新发展做了一个比较。第四章主要介绍个性技巧在作品中的运用及曲式结构与分析。技巧是一个流派风格的重要因素，本章节对中国扬琴四大流派代表作品中技巧的运用做了一个分析，同时对四大流派的乐曲一一作了详细的解说。第五章讲述在探索中前进的中国现代扬琴。这个章节主要讲述了在继承传统扬琴精华的基础上的一些创新。
全面将中国扬琴四大流派的精髓推陈出新、发扬光大，使其世界性与民族性得到更好的传承。
关键词：扬琴；流派；风格；比较
Abstract
Dulcimer is a kind of percussion instruments world and nationality,was introduced into China for nearly 400 years, the senior artists continueto reform and innovation, has developed into a national characteristics ofChinese style, the style of playing techniques in the world and become anindependent school, the system becomes a school. And widely used inaccompaniment, ensemble, solo, duet and National Orchestra.
Yangqin entering China when first appeared in the Guangzhou area,because of pure and beautiful, melodious voice soon became popular inthe country. Influenced by the cultural background, geographical factors,local music in the development process, the formation of different genres,different styles of different characteristics, different schools and localmusic development derived from their unique skills. The development ofthe largest, most influential schools of dulcimer music with Guangdong,Sichuan Jiangnan Sizhu dulcimer schools, schools of dulcimer andnortheastern dulcimer schools. The four traditional schools of dulcimermusic styles vary, such as gorgeous, bright Guangdong music dulcimer,delicate, fresh and elegant Jiangnan Sizhu dulcimer, uninhibited, warmand imaginative Sichuan dulcimer, rough tactfully, firmness andflexibility of northeastern dulcimer.
In this paper, in-depth study of the formation of the four majorschools of dulcimer China development, technique, music structure, styleand repertoire representative tasks and other aspects, analyses thetheoretical achievements of the Chinese dulcimer traditional essence,comprehensive Chinese dulcimer four schools carry forward, bring forththe new through the old, combined with today's better music thought intothe dulcimer music, make the world and nation from generation togeneration. This paper is divided into six chapters: the first chapterintroduces the background, significance, research status, innovation andresearch methods and research purposes. The second chapter mainlyintroduced the world to the three system as well as the origin anddevelopment of China dulcimer. The third chapter mainly introduces theformation background and development of the four major schools ofdulcimer, the formation background and development of each school indetail. The fourth chapter mainly introduces the four major schools ofspecial skills, general skills, new development of the four major schoolsof special techniques and modern Yangqin techniques to make acomparison. The fifth chapter mainly introduces the individual skills inthe works and musical structure and analysis. Skills are importantelements of a genre, the use of this section to represent the four majorschools of dulcimer skills Chinese works made an analysis, at the sametime, the four major schools of music one one made detailed explanation.
The sixth chapter in exploring in advance of the Chinese modern yangqin.
This chapter describes some based on inheriting the traditional dulcimerthe essence of innovation. The essence of comprehensive China dulcimerfour schools bring forth the new through the old, carry forward, so thatthe world and nation from generation to generation.
Key words:The harp;Genre;Style;To compare
目 录
中文摘要
英文摘要
绪 论
第一章 中国扬琴的起源与发展
1.1 历史演变
1.2 传入中国以后扬琴的发展
1.3 扬琴的三大体系
1.4 中国扬琴体系
第二章 中国扬琴四大流派的形成与发展
2.1 广东音乐扬琴流派
2.2 江南丝竹扬琴流派
2.3 四川扬琴流派
2.4 东北扬琴流派
第三章 中国扬琴四大流派的技巧比较
3.1 扬琴四大流派的共性技巧
3.2 扬琴四大流派的个性技巧
3.3 传统技巧的新发展
3.4 现代扬琴技法的新发展
第四章 演奏技巧在流派风格中的运用及乐曲结构与分析
4.1 用特色技巧来辨别流派风格
4.2 传统扬琴四大流派的代表人物与代表作品
4.3 曲式结构的比较和乐曲解析
第五章 在探索中前进的现代中国扬琴
5.1 扬琴的科研与改革
5.2 传统扬琴四大流派琴竹的比较与改革
5.3 现代琴竹的发展
5.4 演奏技巧的新发展
5.5 扬琴的教学研究
5.6 扬琴艺术的交汇融合
5.7 现代扬琴音乐创作
结语
参考文献
致谢
