本篇论文目录导航：
【题目】宫崎骏对动漫人物身体的美学塑造
【绪论】宫崎骏作品中人物身体特点研究绪论
【第一章】动漫人物与身体塑造
【第二章】宫崎骏的动漫创作
【第三章】宫崎骏动漫人物的身体塑造
【第四章】宫崎骏动漫人物身体塑造的思想价值及启示
【结论/参考文献】宫崎骏动漫中角色身体模型研究结论与参考文献
中文摘要
时代的进步，生活价值的多元化，人们对精神追求越来越微妙，越来越复杂化。随着动漫文化的兴起和发展，在儿童群体里流行了起来，同时也受到一些大龄少年的喜爱。时代发展到如今，动漫领域中，宫崎骏无疑已经成为一座不可逾越的高山，他将充满魔幻现实主义浪漫色彩的动画不断呈现给全世界观众。所谓的动漫电影既有艺术层面连续运动性的审美特征，也有以漫画绘画为代表的语言审美趣味。动画电影中审美趣味是在审美主体对客体审美活动和实践中体现出来的。审美主体感受方向、感受内容和审美愉悦程度受到审美对象及动画电影审美价值的客观体现；在动画电影鉴赏中，心理因素和感情是相通的，欣赏动画时，能够唤起人们心理体验过的感情就是审美体验。动漫爱好者之所以喜欢宫崎骏，很大程度上是因为其动漫有着多样化的人物塑造，各种动漫人物表现或者是诙谐、或者是生动活泼、或者是意趣丰富，贴近生活，又充满着对当前社会各种现状的抨击褒贬。从不谙世事的儿童，到饱经沧桑的中年，再到悲天悯人的耄耋老者，为观众展现出一个个活灵活现的人物。切切实实的将历史演变，人物百态通过一个个动漫人物展现了出来。在后现代哲学语境中，动漫身体已经成为一个重要的研究方向，动漫身体不仅仅代表了生理层面的血肉之躯，更是社会、历史、文化的生成物，身体也是我们认识世界，解读历史与未来的一种重要的方式，宫崎骏在其动漫创作中塑造了形形色色的角色身体模型，在它们的身上同时也寄托了宫崎骏对世界的理解和思考，也应该成为我们解读宫崎骏作品的一个重要方式。
基于此，本文主要以宫崎骏动画为例，以动漫美学中的动漫人物对身体的塑造展开思考，大致思路如下，首先在绪论部分介绍了本文的研究背景、研究意义、研究现状、研究方法等问题。在第二章中对动漫人物与身体塑造的问题进行了集中的论述，对动漫人物的特点和动漫人物的身体塑造的方法和意义展开了具体的分析。第三章中主要分析了宫崎骏动漫创作，从宫崎骏动漫的创作历程、创作背景展开分析探讨。在第四章中分析了宫崎骏动漫人物的主要类型以及宫崎骏动漫中不同类型人物的身体塑造，从纯真与完美的女主角，英俊与果敢的男主角，呈现多样化姿态的配角，介于人与动物之间的角色，角色身体造型中的辅助策略等几个具体方面展开。第五章中探讨宫崎骏动漫人物身体塑造的美学价值及启示，笔者认为宫崎骏的动漫美学价值主要表现在以下几个方面，如对万物有灵的推崇，对女性身心的关怀，对自然环境的反思，对多维人性的思考，对终极意义的追求等。宫崎骏动漫人物的身体塑造也启示我们，要善于发掘民族化的风格与特色，在人物塑造中注入寓意与哲理，尊重艺术本体。
宫崎骏在不断的关注世界，关注我们的现实生活，他与他的作品始终心灵清澈，而这种“清澈”绝不像“少年”那样脆弱、易逝，它有着坚不可毁的感染力，造就了自己清澈而深刻的人文主义世界。对于宫崎骏人物身体美学的研究，目前还没有多少研究者涉及，笔者只是在细读作品的基础上，从动画设计学、身体美学等学科知识出发进行了浅显的论述，有关宫崎骏人物身体塑造的阐释仍需要进一步的研究。
关键词：宫崎骏，动漫人物，身体塑造
Abstract
With the diversification of life value of the era , people's spiritual pursuit more subtle , morecomplicated.For the rise and strong momentum of development of the animation industry ,animation favorable cultural phenomenon in groups of children in popularity, even by some olderteenagers alike . In the field of animation , Hayao Miyazaki animated film has undoubtedlybecome a classic , he will be full of magic realism romantic cartoon constantly presented toaudiences around the world , and created a well-known film brands. Animation film both artisticaesthetic characteristics of continuous motion , but also as the representative of the language ofpainting cartoon aesthetic taste .Animated film aesthetic taste is reflected in the aesthetic subjectto the object of aesthetic activity and practice. Aesthetic direction of the main feelings , feelingcontent and degree of aesthetic pleasure and aesthetic objects being animated films reflect theaesthetic value of the objective . In the animated film appreciation , the psychological andemotional factors are interlinked, when listening to animation, can evoke feelings of psychologicalexperience is the aesthetic experience too .Hayao Miyazaki's anime fans like about anime islargely because it has all kinds of cartoon character creation , with a variety of characterization,the performance of various cartoon characters or witty , or liveliness or charm is abundant ,welcomed and loved by everyone .Children from worldly to the vicissitudes of middle-agedworkers , to the compassion of the oldest old , Miyazaki for the audience to show one vividcharacter.In the context of the post-modern philosophy , the body has become an importantresearch direction , the body not only represents the physical level of flesh and blood , it is social,historical , cultural product , but also our understanding of the world body , the interpretation ofhistory and the future an important way ,Miyazaki animation creation shaping its role in all sortsof physical models in their body and also pinned Miyazaki understanding and thinking about theworld , it should also become an important way for us to interpret the works of HayaoMiyazaki .Miyazaki animation creation shaping its role in all sorts of physical models in theirbody and also pinned Miyazaki understanding and thinking about the world , it should alsobecome an important way for us to interpret the works of Hayao Miyazaki .
Based on this, mainly as an example of Hayao Miyazaki animated cartoon characters cartoonaesthetics of the body shape to start thinking, the general idea of this paper is as follows ,First, inthe introduction section introduces the research background and significance, research status andresearch methods and other issues . In the second chapter of the cartoon characters wereproblems with the body shape of the discussion focused on the characteristics and methods ofcartoon characters and cartoon characters meaning body shaping launched a detailedanalysis.The third chapter analyzes the Miyazaki animation creation , expand analysis fromHayao Miyazaki's animation to explore the creative process , creative background . In thefourth chapter analyzes the major types of Hayao Miyazaki Hayao Miyazaki anime cartooncharacters , as well as the body shape of the different types of characters , from pure and perfectheroine, handsome and courageous actor, diversified stance supporting role, mediated betweenhuman and animal characters , a few specific aspects of the role of the body shape of the auxiliarystrategies unfold .Fifth chapter of Hayao Miyazaki anime characters to explore the aestheticvalue of the body shape and enlightenment , I believe that the aesthetic value of Hayao Miyazaki 'sanimation is mainly manifested in the following aspects , such as animism respected , female bodyand mind care , reflection on the natural environment , multidimensional human thinking, such asthe pursuit of the ultimate meaning . Hayao Miyazaki's anime character 's body shape also tellsus to be good to explore the nationalization of style and features , into moral and philosophical incharacter creation , a respected art itself .
Miyazaki constantly looking at the world , look at our reality , Miyazaki and his work hasalways been clear mind , and this “ clear ” never as “juvenile” as fragile , perishable , it has notdestroyed Caine appeal , creating a clear and profound humanism own world . For the study ofphysical beauty Miyazaki character , there is not much the researchers involved , I only work onthe basis of close reading , learning from some of the animation design , aesthetics and otherdisciplines of knowledge starting body made plain exposition about the characters Miyazakifurther research is still needed to explain the body shape .
Key words: Miyazaki , cartoon characters , body shaping
目 录
中文摘要
Abstract
绪论
研究背景
研究意义
研究现状
研究方法与研究思路
第一章 动漫人物与身体塑造
1.1 动漫人物的概念与特点
1.1.1 动漫与动漫人物
1.1.2 动漫人物的典型性
1.1.3 动漫人物的视觉形象性
1.2 动漫人物的身体塑造
1.2.1 动漫人物的设计
1.2.2 动漫人物的身体要素
1.2.3 动漫人物的身体塑造方式
1.3 动漫人物身体塑造的意义
1.3.1 促成动漫产业发展
1.3.2 寄寓动漫人物表述现实
1.3.3 典型动漫人物引领传统教育
1.4 动漫人物身体塑造的手法
1.4.1 写实手法
1.4.2 虚构手法
1.4.3 写意方法
1.4.4 崇高化的手法
1.4.5 混合表达和木偶手法
第二章 宫崎骏的动漫创作
2.1 宫崎骏的家庭背景及学生时代
2.2 创作历程
2.3 宫崎骏作品创作背景
2.3.1 日本的神话与民俗文化的浸染
2.3.2 日本当今社会现实的渗透
第三章 宫崎骏动漫人物的身体塑造
3.1 宫崎骏动漫人物的主要类型
3.2 宫崎骏动漫中不同类型人物的身体塑造
3.2.1 纯真与完美女主角造型
3.2.2 英俊与果敢的男主角造型
3.2.3 介于人与动物之间的角色造型
3.2.4 角色身体造型中的辅助策略
第四章 宫崎骏动漫人物身体塑造的思想价值及启示
4.1 宫崎骏动漫人物身体塑造的美学价值
4.1.1 对万物有灵的推崇
4.1.2 对人类文明的反思
4.1.3 对多维人性的思考
4.1.4 对女性的关怀
4.1.5 对终极意义的追求
4.2 宫崎骏动漫人物身体塑造的启示
4.2.1 善于发掘民族文化的风格与特色
4.2.2 在人物塑造中注入寓意与哲理
4.2.3 追溯求源尊重艺术
第五章 结论
参考文献
致 谢
